思想-實踐的流通與公眾的形成
“Circulation of Ideas and Practices, and the Making of Publics”
時間：2015年2月6日-8日
地點：印度克拉拉邦科欽堡阿斯皮沃大樓內Pavilion
聯合主辦：亞際書院，科欽-穆茲裡斯雙年展
協辦：亞洲藝術文獻庫
贊助：夢周文教基金會，漢雅軒
Date: 7th and 8th February 2015
Venues: Pavilion, Aspinwall House, Fort Kochi, Kerala, India
Jointly presented by Inter-Asia School and Kochi-Muziris Biennale in cooperation with Asia Art Archive.
Sponsored by Moonchu Foundation, Hanart TZ Gallery
2015科欽-穆茲裡斯雙年展論壇召集人：張頌仁，Hammad Nasar
Kochi-Muziris Biennale Forum Conveners: Chang Tsong-Zung, Hammad Nasar
「亞際雙年展論壇」發起人：張頌仁、高士明、陳光興
Inter-Asia Biennale Forum Initiators: Chang Tsong-Zung, Gao Shiming, Chen Kuan-Hsing
「亞際雙年展論壇」是由亞洲知識界聯合組織亞際書院發起的跨界學術專案，旨在聯合亞洲各地藝術雙年展的公共平臺，以各雙年展為基體，創設立足亞洲現實語境的聯動思想論壇。論壇將以亞洲現代思想和藝術實踐的若干核心問題，回應各雙年展的學術主題，以期促進亞際藝術界、思想界的交流與反思，從各自的身心感受中提煉出我們共通的現實關切與行動目標。
The Inter-Asia Biennale Forum is a cross-disciplinary academic project launched by a consortium of Asian intellectuals in association with the Inter-Asia School. The project aims to link together the public platforms of the various Biennales taking place in Asia, and based on each individual Biennale, to create a forum of interconnected thought grounded in the context of Asian realities. Starting with several key issues in contemporary Asian thought and art practice, the forum will respond to the academic topics of each Biennale, with an end to stimulating exchange and reflection among the artistic and philosophical communities in Asia, and to come up with shared concerns and goals for action based on individual life experiences.
2015亞際雙年展論壇（科欽-穆茲裡斯）將聚焦於「思想-實踐的流通與公眾的形成」。亞洲迅速崛起的各種當代藝術雙年展見證了藝術創造動態現場並促生新興公衆群體的巨大力量。本論壇檢視亞洲歷史和當代案例中，圍繞思想和文化實踐的流通而形成公眾群體的各種途徑，並考察它們在建立亞洲社會和政治空間中的角色。
The Kochi Forum of the Inter-Asia Biennial Forum will focus on the topic of "Circulation of Ideas and Practices, and the Making of Publics". The rapid rise of contemporary art biennales in Asia testifies to the power of art in creating dynamic sites where new publics emerge. This forum looks at examples, historical and contemporary, of the ways publics are formed around the circulation of ideas and cultural practices in Asia, and investigates their role as resources for establishing social and political spaces in Asia.
本次在科欽-穆茲裡斯的論壇將會邀請亞洲各地的學者通過公共平臺分享和討論其本地經驗。我們希望通過各方的交流和反思能夠爲之前相互隔離的地區創造討論空間，並通過相互對話對重要議題達成更爲開放的理解。
The Kochi-Muziris Forum will invite scholars from different parts of Asia to share and discuss such grounded experiences on a common platform. It is hoped that by means of mutual reflection, we can create spaces for discussion among formerly isolated localities, and through dialogue achieve a more liberated understanding of critical issues.
Hammad Nasar
策展人、作家、駐香港亞洲藝術文獻庫研究及項目總監。之前為駐倫敦非牟利藝術機構 Green Cardamon 的創辦人之一，以南亞及西亞為焦點，致力進行展覽主導的研究。曾策展及聯合策劃多個國際展覽及研討會，包括《卡爾卡納：一個當代會作計劃》（Karkhana: A Contemporary Collaboration）（美國康奈爾大學約翰遜博物館， 2012 及杜克大學 Nasher Museum，2013）、《繪畫生活》（Drawn from Life）（英國肯德爾Abbott Hall Art Gallery，2011）、《版面以外：巴基斯坦當代藝術中心的細密畫作為態度》（Beyond the Page: Miniature as Attitude in Contemporary Art from Pakistan）（加州Pacific Asia Museum，2010）、《控制線：分割區作為生產空間》（Lines of Control: Partition as a Productive Space）（康乃爾大學Johnson Museum，2012）、《當代三個夢境交錯：印度、巴基斯坦與孟加 拉攝影一百五十年》（Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh）（倫敦白教堂畫廊及瑞士溫特圖爾，2010）。他為不同藝術機構擔當顧問角式，包括英國 Delfina Foundation、美國羅德島設計學院及越南 San Art 。曾為 Clore 領袖培訓計劃學員及倫敦大學金匠學院研究員。
Hammad Nasar is a curator, writer and Head of Research and Programmes at the Hong Kong-based Asia Art Archive. Earlier he co-founded the non-profit arts organisation Green Cardamom, London, that focuses on art from South and West Asia and has a commitment to exhibition-led enquiry. Hammad has curated or co-curated numerous international exhibitions and symposia, including: Karkhana: A Contemporary Collaboration, Johnson Museum, Cornell University (2012, Ithaca, USA) and Nasher Museum, Duke University (2013, Durham, USA); Drawn from Life, Abbott Hall Art Gallery (2011, Kendal, UK); Beyond the Page: The Miniature as Attitude in Contemporary Art from Pakistan, Pacific Asia Museum (2010, Pasadena, USA); Lines of Control: Partition as a Productive Space, Cornell University (2012, Ithaca, USA); and Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh, Whitechapel Gallery and Fotomuseum Winterthur (2010, London, UK and Winterthur, Switzerland). Hammad plays an advisory role for various arts organisations including Delfina Foundation (UK), Rhode Island School of Design (USA) and San Art (Vietnam). He was a Fellow of the UK's Clore Leadership Programme and Research Fellow at Goldsmiths College, London.
張頌仁
策展人，中國美術學院客座教授，漢雅軒畫廊藝術總監，香港亞洲藝術文獻庫董事會成員。張頌仁的策展專案包括：「後八九：中國新藝術」巡迴展（1993 - 1998）、一九九四聖保羅雙年展中國特展、一九九六聖保羅雙年展中國特展及香港館、二○○一威尼斯雙年展香港館、「文字的力量」巡迴展（1999 - 2002）、「黃盒子：當代藝術與中國空間」系列研究計劃（2004年開始）、二○○九湖北美術館「造物與空間：當代大漆藝術」、二○○八「第三屆廣州三年展：與後殖民說再見」聯合策展人、「西天中土」中印學術交流項目的發起人和總監（2010年開始）、二○一二上海雙年展聯合策展人等重要藝術活動。
Chang Tsong-Zung
Chang Tsong-Zung (Johnson Chang) is a curator, the Director of Hanart TZ Gallery, guest professor at China Art Academy, and board director of Asia Art Archive. Chang has been active in curating Chinese exhibitions since the 1980s: major exhibitions include ‘China’s New Art Post-1989’ (international tour 1993–98), Special Exhibitions for the Sao Paulo International Biennial (1994 and 1996), Hong Kong official participations at Sao Paulo Biennial (1996) and Venice Biennial (2001), ‘Power of the Word’ (Taiwan and US tour 1999–2002), the ‘Yellow Box’ series of research projects about contemporary art practice and Chinese aesthetic spaces (since 2004). Recent curatorial work includes: co-curator of ‘Guangzhou Triennial 2008: Farewell to Post-Colonialism’, ‘Spiritual Space: A Dimension in Lacquer’ (Hubei Museum of Art 2009) and the ‘West Heavens’ series of Indian-Chinese art and intellectual exchanges (presented at the Shanghai Biennale 2010, Guangzhou Triennial 2011 and Shanghai Biennale 2012). Chang was also co-curator of the 2012 Shanghai Biennale.
陳光興
陳光興任職交通大學社會與文化研究所，同時負責亞太/文化研究室，曾為新加坡國立大學任資深客座研究員、韓國延世大學與北京清華大學客座教授。著有Asia as method: towards deimperialization (Duke University press, 2010)，《去帝國──亞洲作為方法》(2006)、《帝國之眼》（2003；漢城，韓文版）、《媒體/文化批判的人民民主逃逸路線》(1992)；編有Stuart Hall: Critical Dialogues in Cultural Studies (1996與David Morley合編)、Trajectories: Inter-Asia Cultural Studies (1998)、《Partha Chatterjee 講座: 發現政治社會：國家暴力、現代性與後殖民民主》(2000)、《文化研究在台灣》(2000)、《後東亞論述》(2006，與白永瑞、孫歌合編，東京，日文版)、Inter-Asia Cultural Studies Reader (2007 ，與蔡明發合編)。他是台灣社會研究季刊的成員，Inter-Asia Cultural Studies: Movements期刊的執行主編。
Chen Kuan-Hsing
Chen Kuan-Hsing is Professor in the Graduate Institute for Social Research and Cultural Studies, and also the coordinator of Center for Asia-Pacific/ Cultural Studies, National Chiao Tung University. He has held visiting professorships at universities in Korea, China, Japan, Singapore and the U.S. He has published extensively in both Chinese and English, including edited volumes in English: Stuart Hall: Critical Dialogues in Cultural Studies (1996) and Trajectories: Inter-Asia Cultural Studies (1998), Inter-Asia Cultural Studies Reader (2007); and in Chinese: Cultural Studies in Taiwan (2000) and The Partha Chatterjee Seminar–Locating Political Society: Modernity, State Violence and Postcolonial Democracies (2000). His own books include Media/Cultural Criticism: A Popular-Democratic Line of Flight (1992, in Chinese), and The Imperialist Eye (2003, in Korean), De-Imperialization—Asia as Method (2006, in Chinese). His writings have been frequently translated and published in Korea, China and Japan. Founding chair of Taiwan’s Cultural Studies Association and a core member of the Taiwan: A Radical Quarterly in Social Studies, he is a co-executive editor of the journal, Inter-Asia Cultural Studies: Movements.
高士明
中國美術學院跨媒體藝術學院院長，博士生導師。近年來，他先後創辦中國美術學院展示文化研究中心、當代藝術與社會思想研究所以及媒體城市研發中心，其研究領域涵蓋當代藝術、社會思想及策展實踐。二○○二年以來，他策劃了許多大型學術性展覽，包括「地之緣：亞洲當代藝術的遷徙與地緣政治」系列研究計劃（2002-2004）、「影像生存：第五屆上海雙年展」（2004）、「顯微學：中國當代藝術展」（2005）、「黃盒子：中國空間裡的當代藝術與建築」學術邀請展（2006）、「第六屆聖保羅建築雙年展」中國特展、「影子的煉金術：第三屆連州國際攝影年展」（2007）、「與後殖民說再見：第三屆廣州三年展」（2008）、「巡迴排演：第八屆上海雙年展」（2010）以及「西岸二○一三：建築與當代藝術雙年展」等。高士明出版的學術著作包括：《視覺的思想》（2002）、《地之緣：亞洲當代藝術與地緣政治視覺報告》（2003）、《與後殖民說再見》及相關讀本系列（2008-2012）、《巡迴排演》（2010）、《胡志明小道》（2010）、《一切致命的事物都難以言說》（2011），以及《行動的書：關於策展寫作》（2012）等。
Gao Shiming
Gao Shiming is the Director of the School of Intermedia Art at the China Academy of Art. In the past years, he has founded the Center of Visual Culture Research, Institute of Contemporary Art and Social Thought, as well as the Research and Development Center of Media City in the China Academy of Art. His focal points are visual cultural research, contemporary art studies, curatorial studies and social thought. Gao has organised many large-scale exhibitions of academic standing, including ‘The Migration of Asian Contemporary Art and Geopolitics’ (2002–04), ‘Techniques of the Visible: The 5th Shanghai Biennale’ (2004), ‘Micrology: Micro-politics in Chinese Contemporary Art’ (2005), ‘Yellow Box: Contemporary Art and Architecture in Chinese Space’ (2006), ‘Special Exhibition of China in The 6th San Paulo Architecture Biennale’, ‘Alchemy of Shadows: The 3rd Lianzhou International Photography Festival’ (2007), ‘Farewell to Post-colonialism: The 3rd Guangzhou Triennial’ (2008), ‘Rehearsal: The 8th Shanghai Biennale’ (2010) and ‘West Bund 2013: A Biennial of Architecture and Contemporary Art’. Gao has also published many academic writings, including Thoughts of the Visual (2002), The Migration of Asian Contemporary Art and Geopolitics (2003), Farewell to Post-colonialism: The 3rd Guangzhou Triennial (2008) and Relevant Readers 1, 2 and 3 (2008–12), Rehearsal: The 8th Shanghai Biennial (2010), Ho Chi Minh Trail (2010), All Lethal Things are Unspeakable (2011) and The Book of Action (2012).