Inter-Asia Biennale Forum 2017
at 3rd Kochi-Muziris Biennale
The Present Juncture of Historical Change: Decolonising Asian Futures
2017亚际双年展论坛
第三届科钦·穆兹里斯双年展
当下历史转换的节点：对亚洲未来的解殖
Conveners: Sun Ge and Aditya Nigam
召集人：孙歌，阿迪蒂亚･尼加姆
Date: March 17-18, 2017
日期：2017年3月17日-18日
Venue: Pavilion, Aspinwall House, Fort Kochi, Kerala, India
地点：印度克拉拉邦科钦堡阿斯皮沃大楼内Pavilion
Jointly presented by Inter-Asia School and Kochi-Muziris Biennale
联合主办：亚际书院，科钦-穆兹里斯双年展
Sponsored by Moonchu Foundation
赞助：梦周文教基金会
Website: biennale.asia Chinese Speakers: JIANG Mei, LIU Zhiwei, SUN Ge, WU Chongqing, ZHANG Zhiqiang
Indian Speakers: M.T. ANSARI, J. DEVIKA, P.K. DUTTA, Rita KOTHARI, Nivedita MENON, Aditya NIGAM, Sanjay PALSHIKAR, K. SATYANARAYANA
Interpreters: Chih-ming WANG, Wing-Kwong WONG, Hsing-Wen CHANG
中国讲者：江湄、刘志伟、孙歌、吴重庆、张志强
印度讲者：M.T. ANSARI, J. DEVIKA, P.K. DUTTA, Rita KOTHARI, Nivedita MENON, Aditya NIGAM, Sanjay PALSHIKAR, K. SATYANARAYANA
现场翻译：王智明、黄咏光、张馨文
Through conversation and discussion between scholars from India and China, the academic section aims to bring out the respective fundamental questions facing the two civilizations, and the different intellectual projects and resources developed along. Considering the lack of close interaction and deep mutual understanding of the academia of both countries, this forum tries to touch the primary differences or similarities of the historical contexts of both sides, as well as reveal current pressing issues of reality in the two societies.
本次双年展的学术讨论主题为“转型中的印度与中国”，意在通过印度与中国学者之间的对话，揭示这两个文明古国在现代转型过程中各自遇到的基本现实问题，以及围绕着这些问题所产生的各自不同的思想课题和思想资源。由于印度与中国学界缺少密切的互动和深度的相互理解，本次学术讨论意在尽可能地碰撞出各自历史脉络的基本差异，并尽可能地传递当代印度与中国社会最迫切的现实课题。
Panel I: Political Thought and Speaking Across Cultures 政治思想与跨文化讲述
1. Sun Ge/Liang Zhiping: Chinese political and legal thought at the juncture of historical change孙歌/梁治平：历史转折期的中国政治与法律思想
2. Pradip Datta/ Rita Kothari: Tagore's Asia and the Challenge of Global Survival/ Translation and DemocracyPradip Datta/ Rita Kothari：泰戈尔的亚洲与全球生存问题的挑战 / 翻译与民主
Panel II: Modernity – Acceptance and Critique 现代性：接受与批评
1. Zhang Zhiqiang/Jiang Mei: The acceptance and critique of modernity in the intellectual circle of Late Qing: with reference to Zhang Taiyan张志强/江湄：晚清思想界对“现代性”的接受与批判：以章太炎为中心
2. Sanjay Palshikar/ Nivedita Menon: The Janus face of modernity/ Rendering the Self intelligibleSanjay Palshikar/ Nivedita Menon: 雅努斯双面现代性 / 让“我”能理解于“他”
Panel III: Ethical Visions and Political Transformation 伦理视野与政治转型
1. Liu Zhiwei/Wu Chongqing: Communist revolution and the changed and unchanged aspects of Chinese society刘志伟/吴重庆：共产革命与中国社会的变与不变
2. M.T. Ansari / K. Satyanarayana: Muslim political thought / Ambedkar’s revolutionary Buddhist ethicsM.T. Ansari / K. Satyanarayana: 穆斯林政治思想 / 安倍卡的革命性佛教伦理
Panel IV: Marxism, Capital and the Social 马克思，资本与社会
1. Yang Chunyu/Wu Xiaoli: The organization of Chinese society: history and the issue of legitimacy杨春宇/吴晓黎：中国社会的组织：历史与合法性问题
2. J. Devika / Aditya Nigam: The communist national-popular/ The ‘outside’ of CapitalJ. Devika / Aditya Nigam: 共产主义国-民性/资本的“外部”
張頌仁
策展人，中國美術學院客座教授，漢雅軒畫廊藝術總監，香港亞洲藝術文獻庫董事會成員。張頌仁的策展專案包括：「後八九：中國新藝術」巡迴展（1993 - 1998）、一九九四聖保羅雙年展中國特展、一九九六聖保羅雙年展中國特展及香港館、二○○一威尼斯雙年展香港館、「文字的力量」巡迴展（1999 - 2002）、「黃盒子：當代藝術與中國空間」系列研究計劃（2004年開始）、二○○九湖北美術館「造物與空間：當代大漆藝術」、二○○八「第三屆廣州三年展：與後殖民說再見」聯合策展人、「西天中土」中印學術交流項目的發起人和總監（2010年開始）、二○一二上海雙年展聯合策展人等重要藝術活動。
Chang Tsong-Zung
Chang Tsong-Zung (Johnson Chang) is a curator, the Director of Hanart TZ Gallery, guest professor at China Art Academy, and board director of Asia Art Archive. Chang has been active in curating Chinese exhibitions since the 1980s: major exhibitions include ‘China’s New Art Post-1989’ (international tour 1993–98), Special Exhibitions for the Sao Paulo International Biennial (1994 and 1996), Hong Kong official participations at Sao Paulo Biennial (1996) and Venice Biennial (2001), ‘Power of the Word’ (Taiwan and US tour 1999–2002), the ‘Yellow Box’ series of research projects about contemporary art practice and Chinese aesthetic spaces (since 2004). Recent curatorial work includes: co-curator of ‘Guangzhou Triennial 2008: Farewell to Post-Colonialism’, ‘Spiritual Space: A Dimension in Lacquer’ (Hubei Museum of Art 2009) and the ‘West Heavens’ series of Indian-Chinese art and intellectual exchanges (presented at the Shanghai Biennale 2010, Guangzhou Triennial 2011 and Shanghai Biennale 2012). Chang was also co-curator of the 2012 Shanghai Biennale.
孙歌，日本东京都立大学法学部政治学博士，中国社会科学院文学所研究员。曾任日本东京大学、美国华盛顿大学客座研究员，日本东京外国语大学、一桥大学、德国海德堡大学客座教授等。研究领域为日本政治思想史。主要著作有《主体弥散的空间》（江西教育出版社，2002）、《竹内好的悖论》（北京大学出版社，2005）、《文学的位置》（山东教育出版社，2009）、《把握进入历史的瞬间》（人间出版社，2010）、《我们为什么要谈东亚》（三联书店，2011）、《在历史中寻找中国：关于区域史研究认识论的对话》（与刘志伟共著，大家良友书局，2014）、《探寻历史的“基体”：沟口雄三的中国思想史研究》（人间出版社，2016）。主持翻译有《近代的超克》（三联书店，2005），《沟口雄三著作集》（八卷本，三联书店，2011-2014）。
SUN Ge, PhD in Political Science, is researcher of Institute of Literature, Chinese Academy of Social Sciences. Her research focuses on intellectual history of postwar Japan. She is the author of The Space of Subject Dispersion (Jiangxi Education Press, 2002), The Paradox of Takeuchi Yoshimi (Peking University Press, 2005), The Position of Literature (Shandong Education Press, 2009), Seize the Moment of Entering History (Renjian Publishing, 2010), Why Should We Talk About East Asia, SDX Joint Publishing, 2011), Historicising China: Dialogue on area studies and its epistemology (co-authored with Liu Zhiwei, Wholly Friendship Bookstore, 2014) and In Search for the “Essence” of History: a study on Mizoguchi Yūzo's writings on Chinese intellectual history. She provided over the Chinese translation of The Overcoming of the Modernity (SDX Joint Publishing, 2005) and The Collections of Mizoguchi Yūzo’s writings (eight volumes, SDX Joint Publishing, 2011-2014).
Aditya Nigam works with the Centre for the Study of Developing Societies, Delhi. His work looks at the experience of politics and democracy, mainly in Indian and non-Western contexts. A parallel part of Nigam’s work has been concerned with alternative histories of capital, from the vantage point of contemporary experiences in India and the non-West in general. Nigam’s earlier work has been concerned with the constitution of political subjectivities, especially against the larger backdrop of the formation and crisis of secular modernity and nationalism in India. He has also been associated with a group of South Asian scholars from Sri Lanka, Pakistan, and India, working around the idea of the ‘post-national condition’. He comments regularly on contemporary political issues in the blog, kafila.online He is the author of The Insurrection of Little Selves: The Crisis of Secular Nationalism in India (2006), Power and Contestation: India Since 1989, with Nivedita Menon (2007), After Utopia: Modernity and Socialism and the Postcolony (2010), and Desire Named Development (2011). He has also co-edited with Nivedita Menon and Sanjay Palshikar Critical Studies in Politics. Exploring Sites, Selves, Power (2014).
阿迪蒂亚･尼加姆在新德里的发展中社会研究中心工作，主要研究集中于印度和非西方语境的政治和民主的经验。尼加姆的一部分平行工作是从印度与非西方当代经验的优势立场出发，研究资本的另类历史。他的早期著作探讨政治主体的建构，尤其是将其放置在更大的印度世俗现代性和民族主义的形成与危机的背景之中。他也同来自斯里兰卡、巴基斯坦和印度的南亚学者群体联结并致力于对“后民族状况”思想的探究。他在kafila.online的网站博客中定期发表对当代政治议题的评论。他的著作包括《“小我”的叛乱：印度世俗民族主义的危机》（2006），《权力与论争：1989年以来的印度》（与Nivedita Menon合著，2007），《乌托邦之后：现代性和社会主义和后殖民》（2010），以及《名为发展的欲望》（2011）。他同Nivedita Menon和Sanjay Palshikar合编《政治批判研究·探索场域、自我、权力》（2004）。